So I went on a trip. Almost an impulse trip, really; my sister Alena and our friend Mark were going to Fringe and asked if I wanted to come.
Edinburgh is home to the original Edinburgh Festival Fringe, a theater arts event that has been running annually for three-quarters of a century. All those Fringe theater events around the world are spinoffs of this OG. It is the largest arts event in the world, and possibly the third largest ticketed event in the world (after the Olympics and the World Cup). In the words of the festival itself, it features “theatre, comedy, dance, physical theatre, circus, cabaret, children’s shows, musicals, opera, music, spoken word, exhibitions and events.”
Also street food!
This year there were over 2200 official ticketed events (and more unofficial). The Fringe program book is literally larger than the phone books of some places I’ve lived (back when phone books were a thing). The entire city becomes a city of theaters, with over 300 official venues comprised of existing theatrical facilities, rented rooms, churches, pubs, classrooms and lecture halls, temporary structures, and converted spaces. There are also unofficial venues, which can be even a gap left in a crowd or a nook between food trucks. An acrobatics performance broke out during our lunch one day.
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I had the opportunity recently to visit New York City and attend Paramour, the new Cirque du Soleil Broadway musical at the Lyric Theater. The show closed shortly after, and I had a number of people ask me to share my thoughts on this unusual fusion of circus and theater. We like circus, and we like theater, but would they work as well together like some sort of fusion cuisine? 
