The problem with writing is that it’s wholly subjective. Qualitative. No hard data.
ClickStats, my clicker-training data-keeping app
Where we can do quantitative analysis, we can make reasonable judgments even when our emotions aren’t in alignment. “I felt great about this today, but we actually had only a 70% success rate.” Or, “Oh, man, today has been a total downer and I hated this session, but we nailed it with a 90% success ratio.”
That’s very nice for behavior analysis and free throws. Not so useful with writing.
Drummer James Roddick of the 92nd Gordon Highlanders, defending Lieutenant Menzies during hand-to-hand fighting in Kandahar, 1880, signed and dated ‘ W. Skeoch Cumming/1894’ (lower left), pencil and watercolour, 28 x 42½ in. (71.1 x 107.9 cm.) (Photo credit: Wikipedia)
There are two reactions I get from pretty nearly all my beta readers and critique partners, regardless of the story:
“I don’t know exactly what your characters look like; don’t you ever describe them?”
“Holy smokes, your action scenes are really detailed.”
These may be phrased in various ways, but the general gist is almost always there. And it’s a problem for me. Continue reading
Study for The Quarrel of Oberon and Titania by Noel Paton: fairies in Shakespeare (Photo credit: Wikipedia)
I just came home from opening night at the Indiana Reperatory Theatre‘s A Midsummer Night’s Dream. I gave it a glowing review, but I wanted to comment on a technique they used which made the play more accessible. (And let’s be honest, Shakespeare often unnecessarily intimidates potential audiences, just because of the language and reputation.) Continue reading
(Photo credit: Hani Amir)
Today I intend to justify fantasy as a genre. Not that it needs justified, no more than any other genre, but I’m going to anyway.
But first, I’m going to tell you a story. Continue reading
What’s it like being a writer, you ask? Well, there’s several different aspects to it all, of course. Here’s a quick glimpse into a writer’s head. Watch your step….
Warning! Here there be spoilers, in great measure. Also, plot dissection and narrative breakdown. Continue reading
(Photo credit: Wikipedia)
Someone on the NaNoWriMo chat group mentioned a technique in which a writer writes a pep talk from his or her characters. She said she had found it helpful.
I hadn’t heard of the technique, but just the thought of it scared the snot out of me. Continue reading
Laevatein the Doberman and McCoy the skeleton
So you knew I was working on bringing Kitsune-Mochi to you, right? Did you know I’m also working on a non-fiction book?
My day job is in behavior, animal behavior specifically (though I’m also certified in TAGteach), and I’m working on a book in that field. Continue reading
Star Wars Episode V: The Empire Strikes Back (Photo credit: Wikipedia)
A 2011 psychology experiment indicates that spoilers don’t ruin a story, but rather enhance it.
With all respect, in this regard psychology has its headlight plugged firmly into its tail-lamp. And that’s coming from someone who makes her day job in psychology and behavior, so you know I feel pretty strongly about this. Continue reading
I snapped this pic in Chicago, Dec 2011, because music matters.
Lots of writers use music to set mood and evoke emotion while writing, and I’m no exception — I love using music to create a tone for a scene or even just to get creative juices flowing. Continue reading