I botched it tonight.
Someone asked our panel about writing in a traditionally male-dominated (both as authors and heroes) genre, as a woman. And several women writers were invited to answer, but with the clock ticking on the last moments of our chat time.
I was discombobulated by trying to formulate both a comprehensive and brief answer under the countdown, and even more so by another panelist’s previous assertion that white males were the cause of the downfall of society — a statement I found untrue as well as unfair to the white male panelists sitting on either side of me at the time, not freaking out about being outnumbered on the panel. Continue reading
It’s St. Patrick’s Day. Do you feel lucky?
No, not in a Dirty Harry sort of way. More of a, Are you ready to achieve your dreams? kind of way.
Let’s listen to some Irish talk about dreams. Continue reading
Here are some of my thoughts about getting started in indie publishing! Feel free to agree or disagree with me over there, fellow writers — comments welcome!
If you want to hear more from me about self-publishing, make sure you check out the August 2017 edition of http://www.irelandwritertours.com/
So we’re closing on the biggest gift-giving occasion of the year, and you don’t know what to get that writer on your list? What about an investment in their writing career? Nothing says love and encouragement and “I believe in you!” like a contribution to their goals. (And reading their work. But that’s much harder to wrap.)
If you are the writer, feel free to leave this page open on a conspicuous monitor or maybe even send a helpful link. Continue reading
I know I’ve talked about the fun and eclectic nature of story research before, but it’s worth returning to.
Devils Hole Pupfish Latina: Cyprinodon diabolis (Photo credit: Wikipedia)
Topics I have researched for this single short story include but are not limited to:
- the Devils Hole Pupfish
- the history of Chinese bronze casting
- the natural history of Kazahkstan
- cassowary attacks
- the destructive “Cultural Revolution” in China
A poster from the Cultural Revolution, featuring an image of Chairman Mao, and published by the government of the People’s Republic of China. (Photo credit: Wikipedia)
All to make the story more plausible and real. You’re welcome.
(This story will be published in early 2017.)
Share a cliffhanger? I’ll keep this short, in the spirit of #WIPjoy, but here’s Euthalia’s first day in the Norse village, beating out communication with the very few words she knows with a kind older woman.
It was fresher than the boat’s provisions, at least, as they had saved the spices and treats to bring back to the village. And Euthalia, no longer surrounded by dozens of strange male warriors, found herself relaxing enough to feel real hunger. She devoured the bread.
“Good, good,” praised Birna. She nodded. “Eat. Tomorrow, slagtoffer.”
Euthalia did not know the word. “Slag — what?”
Birna smiled, a little tightly, and drew her hand across her throat.
Well, then. Continue reading
I’m not a huge Hiyao Miyazaki fan — okay, I haven’t even seen all the standards! — but I really like some of what he says here about story in general and about stories for children.
And what he says about stories of fantasy and monsters requiring the realism of human character and emotion, that’s spot on.
(Also, I love that even someone of Miyazaki’s stature is writing the story as he goes along. Makes me feel a bit more justified in my not-exactly-over-plotting approach.)
So I came across an interesting game premise recently.
Well, not a game, per se. There’s no gameplay and no storyline and no final boss battle. There’s no leveling and no skill-building and no farming. No gold, no XP. Instead, it’s just a virtual environment to be explored like an open-world game, for the purpose of prompting would-be writers to actually write.
Lots of people want to write but are then intimidated by the blank page. And traditional writers’ adages don’t necessarily help.
Enter Elegy for a Dead World, a game to encourage novice writers to shut off the self-doubt and just write. Continue reading
Jules Verne, the godfather of plausible speculative fiction. (Photo credit: Wikipedia)
“Fantasy is even harder to write,” I alleged recently, “because you have to make the science work.”
If the science in a story isn’t plausible — whether you actually call it science, as in hard sci-fi, or whether it’s simply background dressing or setting, as in a romance set aboard a diving boat — the rest of the story won’t be plausible, either. In the romance above, for example, even if the story is supposedly just boy-meets-girl, if the couple blithely dives hundreds of meters without special equipment and resurfaces without ill effects, I’m not going to buy the happily-ever-after. Continue reading
Sometimes you walk away from a story in progress for a little while — in this case, because I’ve been working a lot and traveling — and you forget what you were doing.
And then you come back, and you read over what you had, and you’re like, “Did I write that?”
I opened a file again tonight for the first time in weeks, and this is on the most recent page:
“I have a burned arm. It’s not like I’m crippled. And I don’t need to be able to handle a sword or anything.”
“No, but you use your hands for your magic.”
“That’s a focus tool. It’s not strictly necessary.”
He gave her a skeptical look. “And what happens if you can’t use your hands to focus?”
She twisted her mouth. “Don’t stand too close to the target, okay?”
I wonder how it turns out?