The next installment in my chocolate sampling series! And I just plain forgot to plug in my mic for this one, so the camera mic was picking up background noises and my dog Undómiel warning off some nocturnal creature outside. My apologies. Also my camera was a bit high, but at least that means you get to see a better view of Mr. Snaggles, one of my dinosaurs. Continue reading
On the one hand, I can’t believe we need to have this discussion of how to write female protagonists and balance. On the other, since clearly we do need it, let’s have it.
With the announcement of the 13th Doctor as a female regeneration, the internet slightly exploded. I was actually at a fandom convention during the announcement and heard not only discussion of the announcement itself, but of reactions to the announcement.
We’re going to ignore those who were horrified to discover their Doctor now has girl cooties. They’re easy to ignore — or just borrow for humor, where they’re most useful. Anyway, the haters are vocal but seem to be a minority, or maybe I just have a better-curated network, and I don’t intend to waste blog space on that sort of thing.
But one repeated protest I heard repeatedly in several less-hysterical discussions was, now that the Doctor is a female, the male companions will be written down to idiocy so that she looks clever, and so everything will be less cool and the storytelling will suffer. I found myself saying or typing the same thing repeatedly, so let me just save time and put it here.
This is indeed a huge problem, only the problem is not the Doctor’s personal plumbing. Continue reading
This is the first in a new series of posts, and I don’t know how many there will be, on chocolate.
My intention is to share some unusual chocolate thing and tell you why it’s remarkable. Continue reading
So, as you may have heard, my war unicorns Nova & Reaver won the Equus Battle Royal. While I totally played it cool, inside I was doing a Snoopy dance and singing something like this:
So, I’d promised that if Nova & Reaver went all the way, I would read you a snippet from an upcoming story. Since you got an excerpt of “Rue the Day” in the Equus battle, I decided to read something from a different story, but one that’s also coming soon. Continue reading
Spoiler alert: Baldr dies.
Okay, seriously, there be spoilers ahead. Mythology nerds likely already know some of what goes down in The Songweaver’s Vow, but if you haven’t read it yet, I suggest you grab a copy and then come back for the background material. (Though to be perfectly fair, even knowing the base myth won’t give you a complete picture, so as long as you’re fully apprised of the spoiler-ific nature of this post….) Continue reading
So to start, we don’t know very much about Norse mythology.
Oh, sure, we have quite a lot of stories, and we’ve made them into quite a lot more stories. But we don’t really have a grasp of how old proto-Germanic religion functioned, how seriously people took these stories, and how these stories fit together.
The Songweaver’s Vow was a tough book to write, for a number of reasons. For one, this was the first time I was writing a story which wasn’t entirely mine and I had to follow a previously-defined plot, as the base story of The Songweaver’s Vow is a Greek legend. And Euthalia brought her Greek stories with her to Asgard, so this meant that I had two separate mythologies to blend while simultaneously trying to make the determined plot my own. It was like writing historical fiction which had to fit both our history and an alternate Earth history. Not gonna lie, it was a workout. Continue reading
That’s a very literal title.
After all, I wouldn’t lie to you.
It’s no secret that I have a thing about the classic Universal monsters and gothic tales. Nor is it a secret that I have a small problem with chocolate. And so I was absolutely delighted to receive this chocolate coffin. (Or casket, really.) Continue reading
I’m not a huge Hiyao Miyazaki fan — okay, I haven’t even seen all the standards! — but I really like some of what he says here about story in general and about stories for children.
And what he says about stories of fantasy and monsters requiring the realism of human character and emotion, that’s spot on.
(Also, I love that even someone of Miyazaki’s stature is writing the story as he goes along. Makes me feel a bit more justified in my not-exactly-over-plotting approach.)
For a story in progress (now available!), I was doing some research on infrasound and sea animals and hydrophonics, and I happened across this amazing and terrifying recording.
The March 11, 2011 Tōhoku earthquake off Japan, which produced a devastating tsunami killing perhaps 16,000 people, was recorded by a hydrophonic array in the Aleutian Islands, more than 900 miles away. Despite the great distance, the recorded seismic disturbance is the loudest they’ve ever captured, even louder than the nearby underwater volcanoes.
Listen all the way through to the end, when the sound simply buries the microphone. It’s terrifying. Continue reading