So I’ve been chatting on social media this month about The Songweaver’s Vow, sharing tidbits for #WIPjoy. Right now I’m throat-deep in revisions, which is always a challenge but especially so with this book, as I did not write it linearly (start to finish, straight through).
I know a lot of writers who can write out of order. Apparently I am not one of them. These revisions are kicking my butt like… well, like Vikings trashing a fishing town. Continue reading
Let’s talk about lady protagonists.
No, this isn’t another rant about needing more strong female characters, nor the problems with Strong Female Characters (TM). (That’s an easy problem to solve, really: you write good characters, and some of them are female. Done. Not every character needs to carry the impossible weight of universal representation.)
No, I’m going to talk about just the number of females, and my own part in the current state of affairs. Yes, this was partly prompted by Jo Eberhardt’s “The Problem With Female Protagonists,” but I think I’m going to add some additional data and personal takes.
First, let’s look at a statistical truth: There are more books and films with male protagonists than female. (The very fact that we call out but-look-a-female-lead! is proof of it being outside the norm. Nobody needs to point out gravity, because we’re all used to it.) But because we’re all neurologically programmed to notice the abnormal more than the normal, when we do start seeing “diversity,” it feels bigger than it is.
This is why research shows that if 17% of a given group is female, the men in the group report an equal number of men and women, and when the number of females reaches 33%, the men report a majority of women. The “excess” of women over the “norm” is what’s perceived, not an actual count. Continue reading
There is a phenomenon in which some skeevy lowlife steals a title and often a manuscript from a published book and re-publishes them on Amazon in his own account, trying to fool readers into buying his “edition” of the story and stealing royalties from the author.
Most of the time, though, they do a better job of matching a more plausible cover. Continue reading
I listen to a fair number of audiobooks, mostly because I spend a ridiculous amount of time in the car and reading a paperback while driving is both illegal and stupid. Audiobooks keep me alert and entertained. I listen mostly to fiction, but I also enjoy audio non-fiction and some recorded lectures, especially if I’m researching for a story.
I have some favorite narrators, of course, but I don’t choose books just for the narrator. I have, however, quit books because I did not like the narrator. A reader can really set the tone and influence the flow of a story.
One pet peeve is when male readers indicate a female character primarily by going all breathy. It can make a political thriller or sci fi adventure sound more like a 1-900 sex line. Continue reading
Seat belt on an airplane, buckled-up (Photo credit: Wikipedia)
One Christmas I received a t-shirt which reads, “Careful, or you’ll end up in my novel.”
It had already been repeatedly announced that our flight was 100% full, every seat sold and occupied, no upgrades, no seat swaps, and no room for everyone’s carry-ons. So there was no excuse for the guy occupying both his seat and my own, one butt cheek planted firmly on each cushion, legs spread to encompass both seats fully. He wasn’t a particularly large individual who needed extra space, and he wasn’t resting there temporarily while tucking a bag beneath the seat; he was settled and just claiming extra territory. Continue reading
(Photo credit: Wikipedia)
I think it’s time we were all honest with ourselves and just admitted that Daylight Saving Time is a failed idea.
It’s not a bad idea, in its original form. When early proponents (such as Benjamin Franklin) realized that we could take advantage of longer daylight hours by getting up earlier, that was a legitimate and factual observation. Ben satirically suggested cannons to rouse the populace earlier rather than changing the clocks, because changing the clocks was kind of a dumb idea, but the cannons didn’t exactly take off either.
Since then, Daylight Saving Time (it’s singular, despite popular mispronunciation) discussion has been full of good intentions with poor follow-through. Continue reading
Okay, I’ve seen a number of people post this now. Many are people who don’t know each other. And I’ve seen the sentiment echoed from all demographics, people getting student discounts and people getting senior discounts. It’s everywhere. Here’s the thing:
And I’m going to step into the Old Ben mentor trope for a moment and pontificate, because it seems there’s something critical being missed.
Guys, this is not “that friend.” This is EVERYONE. Continue reading
An 1864 photograph of the Taq-i Kisra. Note the figures standing atop the arch; we’ve always had stupid yahoos as tourists, I guess.
A drive problem is preventing more Route 66 updates — don’t worry, the photos aren’t lost, just presently inaccessible — so it’s background day here at the blog! Today we’re going to learn a tiny bit about the city where Saman, one of the Megistanes in So To Honor Him, resides — when he’s not traveling, that is.
The Megistanes, as you may recall from a previous post, were a hereditary priesthood serving four empires in succession. By Saman’s time, they were under the Parthians. Tyspwn, known better today by its latinized name Ctesiphon, was the capital city of the Parthian empire. Continue reading
Jules Verne, the godfather of plausible speculative fiction. (Photo credit: Wikipedia)
“Fantasy is even harder to write,” I alleged recently, “because you have to make the science work.”
If the science in a story isn’t plausible — whether you actually call it science, as in hard sci-fi, or whether it’s simply background dressing or setting, as in a romance set aboard a diving boat — the rest of the story won’t be plausible, either. In the romance above, for example, even if the story is supposedly just boy-meets-girl, if the couple blithely dives hundreds of meters without special equipment and resurfaces without ill effects, I’m not going to buy the happily-ever-after. Continue reading
Cover of Something Wicked This Way Comes (film)
So Monday night I attended for the first time our local library’s book club. It may also have been my last.
The club was discussing Something Wicked This Way Comes, the creepy seasonal novel by Ray Bradbury. I’ve always felt vaguely guilty about not liking this novel quite as much as it probably deserves, but after listening to everyone else give their impressions, I felt like a positive fangirl. Oh, sure, a few enjoyed it, but at least half the group hadn’t even finished the book.
That’s not what got me into trouble, though. No, this particular session of book club offered dinner and a movie, and we watched the film adaptation for further discussion.
I realized I was both dominating the conversation and sounding rather negative, both of which I figured were bad for a first-timer, so I squelched myself a bit. And thus a blog post was born! But the comparison really does offer a really spectacular example of what removing the stakes and changing motivations can do for a story. Continue reading